Through this nationally significant award, MPRG has proudly acquired 14 winning works, a further 91 through its precursor, the Spring Festival of Drawing and many more purchased for the Gallery by the Friends of MPRG—building one of Australia’s most significant collections of works on paper. With a $20,000 major acquisitive prize, NWOP continues to play a vital role in supporting artists and advancing the practice of contemporary Australian art on paper.

SATURDAY 5 SEPTEMBER TO SUNDAY 22 NOVEMBER 2026 | 11AM TO 4PM

Image: Jacky Cheng, …that awaits at the end of life, 2022, Kozo papers, joss papers, organic fibres, natural and synthetic paper fibres, National Works on Paper 2024 install, photo: Kinfolk Imagery

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In celebration of the 2025 theme of NAIDOC Week – The Next Generation: Strength, Vision & Legacy, Everywhen Art is presenting a solo exhibition by the Mornington Island-based artist Amanda Jane Gabori. Amanda Gabori was born in 1966 in the township of Gununa on Mornington Island. She is the youngest daughter of the famous painter, the late Sally Gabori whose works are currently featuring in a solo exhibition at the National Gallery of Victoria.

Amanda says that she started painting with her mother about 15 years ago, as she saw how much pleasure painting brought her mother and how her mother had loved that, through her paintings she could relate the stories and landscape of her sea country and its people around the world. Amanda says she is honoured and proud to continue her mother’s legacy.

Since 2010, Amanda has exhibited in leading private galleries around Australia, as well as public galleries including Cairns Art Gallery, Queensland Gallery of Modern Art and in the Cairns Indigenous Art Fair.

Her main painting themes are those her mother and father’s country of Bentick Island in the Gulf of Carpentaria. In her work she depicts its striking rock formations, tidal waterholes, its sweeping lands where the sky meets the sea, and the scales that cover the body of the small river cod, Dibirdibi which is her language name and her totem given to her by her father.

Everywhen Art’s curators Susan McCulloch OAM and Emily McCulloch Childs will present a free talk: Strength, Vision & Legacy; the art of Amanda Jane Gabori on Saturday July 12 at 2.30 pm.

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Rather than depicting the iconography of dreaming stories Ampilatwatja painters reinforce their strong connection to Country in landscape form and with a strong focus on the plants used for bush medicine. As the artists note, their paintings depict the country ‘on which the dreaming stories sit’.

However, these intricate paintings are far from superficial view of lands. Rather they contain the information held sacred to Alyawarr, but hidden from public view, underneath the surface.

Of special importance is the recording of flowers, leaves and seeds used by Alywarr for bush medicine. Representing this subject fulfills several purposes. Trips to collect plants for bush medicine enable knowledge of the habitat and usage of plants; documenting the plants in art enables their recording for posterity and bush medicine itself promotes well-being.

Exhibiting artists; Ada Pula Beasley, Beverley Pula Luck, Daisy Kemarre Turner, Elizabeth Ngwarreye Bonney, Kathleen Namina Rambler, Kelvin Kemarre Ladd, Maisie Petyarre Bundey, Michelle Pula Holmes, Nancy Pitjara Frank, Sevaria Kemarre Bonney.

OPENING EVENT SATURDAY 7 JUNE from 2.30pm.

Curators Floor Talk: Bush medicine & plants – the unique art of Artists of Ampilatwatja.

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Matt Hill’s creations are more than sculptures – they are statements. From life-sized animals that capture movement and spirit to intricate stratified spheres that come alive at night, each piece is a testament to his talent and vision. His work often pushes the boundaries of design, with some sculptures requiring up to 300 hours to craft, embodying dedication, and a commitment to excellence.

For those that don’t know, Corten steel, also known as weathering steel, is a type of steel alloy that is designed to form a stable rust-like appearance after exposure to the elements. It was developed to eliminate the need for painting and create a protective layer of corrosion that shields the underlying metal. The name “Corten” comes from two of its key properties: corrosion resistance and tensile strength.

Why Matt’s Work is Unique

Matt Hill’s artistry is thought-provoking and deeply resonant. His works are not just steel and shapes; they are emotions forged into metal, connecting people to nature, light, and each other. As an internationally celebrated artist, his sculptures grace landscapes across Australia, Japan, the USA, and Europe, bringing his unique vision to the world.

One of Matt Hill’s passions is working with animals. From majestic elephants, giraffes, and rhinos to lifelike kangaroos and bears, his steel creations embody the beauty and spirit of the creatures that roam our planet. His work goes beyond representation, often evoking a sense of connection to the natural world.

Matt Hill’s memorial dog sculptures are a perfect example of this emotional connection. Inspired by the love we share with our pets; these pieces allow people to honour their best friends and keep their memory alive in a tangible and meaningful way.

His geometric creations, such as illuminated spheres and striking cubes, blend nature and geometry to create art that transforms spaces. These pieces are not only stunning but also functional, enhancing gardens with their beauty and thoughtful lighting. His unique garden lighting designs, featuring animals, trees, and abstract forms, create an enchanting outdoor experience that blends art with ambiance.

For those seeking warmth and community, Matt Hill’s custom fire arcs are a perfect addition to any backyard. These sculptural fire pits bring people together, inviting storytelling and connection around the flames—a timeless tradition reimagined through Matt’s artistry. 

An Award-Winning Legacy

Since his first sculpture won Best Small Sculpture at Melbourne’s Albert Park Art Exhibition in 2013, Matt has continued to redefine the boundaries of steel art. His accolades include back-to-back awards at the Melbourne International Flower & Garden Show, where his sculptures won the People’s Choice Award and first prize in consecutive years.

His work is celebrated in luxury hotels, public spaces, and private collections worldwide, and has been featured in prominent publications such as Signature Luxury Travel & Style and The Sydney Morning Herald.

The Sorrento Outdoor Gallery

Closer to home, the Sorrento Outdoor Gallery offers a chance to experience Matt Hill’s creations in an immersive setting. Nestled in the picturesque landscape of Sorrento, the gallery features his most captivating steel sculptures. Visitors can explore life-sized animals, illuminated spheres, and other iconic pieces, all designed to spark wonder and inspiration.

A Master of the Impossible 

Driven by the challenge of making the impossible possible, Matt Hill thrives on creating one-of-a-kind commissions. Whether designing a sculpture to honour a beloved pet, crafting a striking centrepiece for a garden, or building a large-scale installation, Matt Hill’s work reflects his boundless creativity and passion for his craft.

Matt Hill Projects is more than a collection of sculptures—it’s an invitation to experience the extraordinary. Every piece tells a story, and every commission is a collaboration, bringing together the artist’s skill and the client’s vision. Matt Hill’s work is a celebration of nature, light, and connection, and it continues to inspire audiences around the world.

If you happen to be in Sorrento over these holidays (and beyond) drop into his outdoor gallery. It’s free and amazing at how many objects of art he’s managed to integrate within the space.

Matt Hill Projects, Sorrento

Address: 152 Ocean Beach Road, Sorrento

Open Daily from 8:30am to 6:30pm

For more information visit www.matthillprojects.com/sorrento.pdf

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Ernabella artist Jeffrey Lewis insightfully captures the characters of the birds of his community with panache, as does Bunurong elder Mark Brown. Lyrically detailed, plant-filled landscapes by the Artists of Ampilatwatja relate the country on which their Dreaming stories sit. Talented Mimili Maku Arts newcomer Beverly Downs paints the trees of her lands in sweeps of brilliant colour, while Anita Pumani and Betty Mula’s glowing works bring to life the plants and dreaming stories of their Country with skilled assurance.

Utopia artists Carolyn Petrick Kngwarreye’s shimmering seed dreaming works mesmerise with layers of fine dots and Selena Teece Pwerle’s high-keyed canvases depict the rivers, landforms and red sands of her grandfather’s Country with the knowledge born of a lifetime’s observation.

This exhibition is open Friday to Sunday, from 11am – 4pm.

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New paintings by Debra Nakamarra and Katherine Nakamarra featuring the rockhole and cave site of Tjintjintjin – an important site in the journeys of the ancestral creation figure, Kutungka Napanangka.

This impressive body of work marks the first exhibition on the Mornington Peninsula by the illustrious Papunya Tula Artists Pty Ltd. Established by the artists of the community of Papunya in 1972, Papunya Tula has been of foundational significance in the development of modern Australian art.

Highly regarded painters, Debra Nakamarra and Katherine Nakamarra have been significant members of Papunya Tula Artists for many years. In vibrant colour and distinct iconography, their work relates the ancient cave site of Tjintjintjin – made famous by their mother Walangkura Napanangka. This body of glowing new works is the sisters’ first joint exhibition presented by Papunya Tula Artists.

OPENING EVENT WITH THE ARTISTS, SATURDAY SEPTEMBER 21, 2pm.

To be opened by John Kean, PhD – writer, curator and former Papunya Tula art advisor. John will introduce Debra and Katherine and will also be signing copies of his book – Dot Circle and Frame: The Making of Papunya Tula Art. Book presentation/signing In partnership with Antipodes Bookshop.

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Wild man, 2005, is informed by Mueck’s German heritage, his knowledge of European medieval mythology, and the stories of the Brothers Grimm. The concept for Wild man was fully realized after Mueck saw Appennino, 1579, by Flemish sculptor Giambologna, a colossal, kneeling figure 11 metres high, located in the gardens of the Medici palace Villa Pratolino in Tuscany, Italy.

Known as the ‘woodwose’ in Celtic lore, the wild man is a figure of gigantic proportions typically depicted with a wooden club and full body hair. Antithetic to the civilised and known world, he was a symbol of the dark and mysterious challenges of the wilderness.

Image: Ron Mueck, Wild man, 2005, fibreglass resin, silicone, nylon, synthetic thread, plastic, metal, wood, 285 x 162 x 108 cm. Purchased through the Elisabeth Murdoch Sculpture Fund and The Balnaves Foundation, 2007. Photo Mark Ashkanasy.

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On Saturday 17 August celebrated Mornington Peninsula artist Di Crawford will launch My Peninsula Experiences, the latest exhibition of the art x wine series at Tallarida Cellar Door. 

Di’s first exhibition in five years, My Peninsula Experience is a personal reflection and dedication to the natural environment of the Mornington Peninsula, particularly the birds, wildlife and fauna. 

Di is influenced by how magic and fragile the environment is. The exhibition celebrates how resilient the environment has been up to date, but also seeks to motivate a discussion around the long -term prospects of life in the green wedge. 

Di hopes that through the exhibition, visitors can be inspired by the beauty and wonder of nature, and reflect on the many different ways of interpreting its beauty. 

Exhibition Details Opening: Saturday 17 August 3pm to 5pm 

Exhibition Dates: Saturday 17 August to 31 October 

Cellar Door Opening Hours: Friday to Monday, 11:30am to 5pm 

Venue: Tallarida Winery’s Cellar Door, 148 Browns Road, Boneo 

Cost: Free 

www.tallaridawinery.com.au/art-x-wine

Further Information: 

DI CRAWFORD

Di Crawford was born in 1949 and attended art school in Perth in the mid-1960s. She then relocated to Melbourne and is now based at Cape Schanck. She has exhibited in numerous joint and 12 solo exhibitions in Western Australia and Victoria. In her early work Di pioneered an exciting thread-work style incorporating vibrant colour and florid re-imaginings of nature. 

More recently she has transitioned to acrylic on canvas and paper and the painting of acrylic on mannequins. Her evocative style combines hypnotic geometric backdrops alongside figurative wildlife foregrounds. These geometric backgrounds reflect Di placing an imaginative microscope on nature and the patterns that emerge. Her love for nature and its rich colours is a driving force in her work. Her works often illuminate a mysterious path between ornithological documentation and magical realism. 

The National Trust of Australia chose four of Di’s early thread work pieces for inclusion in its 2006 and 2007 diaries. In 2015 Di was chosen as one of nine female artists to exhibit in the Outstanding Women Artists exhibition (Media House Gallery, Melbourne, Victoria). 

In 2015 along with 100 Australian artists, Di was asked to submit two works to the Luciano Benetton Collection Imago Mundi Project’s Australian Collection: ‘Looking Down Under: Contemporary Artists from Australia‘ as part of the Venice Biennale. 

ART X WINE AT TALLARIDA 

This exhibition is part of a series hosted by Tallarida Winery in their Cellar Door space. Tallarida Winery works in collaboration with Barnacle Studios to present ART X WINE, which is a series designed to feature works by exceptional Australian artists. 

ABOUT TALLARIDA 

A boutique vineyard of 25 acres, the Tallarida Vineyard is situated on the beautiful Mornington Peninsula, in the lush soil of the Boneo plains. The property has a history of producing benchmark and award-winning Chardonnay, and in recent years, has moved into Pinot Noir. Varieties also include Pinot Grigio, Merlot and Cabernet, from which a variety of wine styles are made. 

ABOUT BARNACLE STUDIOS COLLECTIVE 

At its core, Barnacle is a community-driven endeavour aimed at empowering artists, makers, and creative companies. By providing collaborative opportunities, and skill-building workshops, we’re not only enhancing artistic vibrancy but also fueling economic growth and community engagement. 

MEDIA RELEASE_ Celebrated Mornington Peninsula Artist Di Crawford Launches Her Latest Exhibition At Tallarida Cellar Door.

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Included in the 50+ works on show are acrylic and ochre paintings and barks, works on paper, weavings and wooden carvings and sculptures. While many are colourful and quirky images of birds, echidnas, lizards, fish, and other wildlife, others focus on the creation stories and figures behind the works. These include stingrays, dugongs, crocodiles, and other water life from the coastal regions of Arnhem Land, the Kimberley, and Far North Queensland and the Brush Tail Possum of the Western Desert.

Aboriginal Art Centres represented: Buku-Larrnggay Mulka; Bindi Arts; Ernabella Arts; Injalak Arts; Maningrida Arts; Mornington Island Arts; Ngaruwanajirri; Tangentyere Artists; Tjanpi Desert Weavers; Warlayirti Artists; Waralungku Arts; Warlukurlangu Artists; Waringarri Arts; Warmun Art Centre.
Artists include: Amanda Jane Gabori Dibirdibi, Betty Bundamurra, Coralie Thompson Kuthakin, Dallas Kelly, Djul’djul Gurruwiwi, Don Namundja, Gavin Namarnyilk, Geraldine Napangardi Granites, Graham Badari,Gurrundul #1 Marawili, Ivan Namirrkki,Jane Mervin, Jane Tipuamantumirri,Jason Japaljarri Woods, Jeffrey Lewis, Kelvin Kemarre Ladd,Maath Maralngurra, Mabel Juli, Madelene Purdie, Margaret Renee Kerinauia, Thelma Dixon, Wukun Wanambi and Wilma Poulson.  
Featured artist: Cherylyn Napangardi Granites from Warlukurlangu Artists of Yuendumu. Cherylyn depicts the wildlife she sees in her travels around Australia as well as that of her homelands around  Yuendumu.

OPENING EVENT WITH BUNURONG ELDER MARK BROWN 

Saturday June 8 | 2-4 pm

RSVPs appreciated: info@everywhenart.com.au
T 03 5931 0318 

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Wild man, 2005, is informed by Mueck’s German heritage, his knowledge of European medieval mythology, and the stories of the Brothers Grimm. The concept for Wild man was fully realized after Mueck saw Appennino, 1579, by Flemish sculptor Giambologna, a colossal, kneeling figure 11 metres high, located in the gardens of the Medici palace Villa Pratolino in Tuscany, Italy.

Known as the ‘woodwose’ in Celtic lore, the wild man is a figure of gigantic proportions typically depicted with a wooden club and full body hair. Antithetic to the civilised and known world, he was a symbol of the dark and mysterious challenges of the wilderness.

Image: Ron Mueck, Wild man, 2005, fibreglass resin, silicone, nylon, synthetic thread, plastic, metal, wood, 285 x 162 x 108 cm. Purchased through the Elisabeth Murdoch Sculpture Fund and The Balnaves Foundation, 2007. Photo Mark Ashkanasy.

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